Tim Huynh Contact Sheet Volume II: Red

Aloha Everyone,

One of my favorite photo’s from my own collection is RED. This series of photographs were taken in Tenderloin last year (2016) during  Jack Simon‘s workshop in San Francisco. Tenderloin is not a particular area you would typically roam around for street photos but surprisingly there was a block party so we went ahead and joined in.

As I was roaming around the area waiting for those interesting moments to happen, I for one did not notice the red wall. Probably at the time I was not as aware or experienced at seeing vibrant colors on the street as I am now. It wasn’t until I noticed how Jack and the other students were photographing the man in the red sweater that I went ahead and joined in. (You can watch here how I photographed RED at 5:45)

First, I love the vibrant red and how his sweater blended in with the red wall. The man’s hat, white sunglasses and the white graffiti on the wall pointing to the right makes it more interesting. I probably should have worked the scene until a lot more but at the time I didn’t know any better.

I feel photo eight is the best photo on the entire contact sheet. I like the simplicity of it with just him against the wall. The special moment in my opinion is when he opened his pizza box and bit into his pepperoni pizza…MORE RED COLORS!

Do you think I selected the right image? What would you have liked to see happen in the frame? How would you have shot it differently?

 

 

How to Handle Criticism on your Street photography

Criticism, like rain, should be gentle enough to nourish a man’s growth without destroying his roots – Frank Clark

Criticism is negative feedback and I’ve had a very small handful of them on my photography through peers and folks on social media. I’m human, sometimes it gets to me but I try my best not to let it. Criticism is negative feedback without any guidance or suggestive improvements. For example, if someone saw your photo and said “It’s crap” and not explain why the photo is crap then it’s all deaf ears to me.

However, saying that the photo is crap but yet explaining why, is constructive feedback. There’s opportunity to learn and grow knowing why your photo just doesn’t work.  I had one person say (and I won’t give any clues) that one of my photo essays was pretty good but that’s because they edited the photos down and cropped some of the images. Or said (same person) it sucks without further explanation.

I’m open for constructive feedback and I think I take it pretty well, I’m all ears and open to a discussion. I also believe in defending your work if you truly love the image and regardless what others think, if you like the photo stand by it. I actually appreciate when someone gives me their constructive feedback, to take time to either type a message or waste their breath on me, I feel appreciative to an extent. I have always believed if the person didn’t care then they wouldn’t waste their time saying anything.

Also remember to keep in mind, everyone has the right to their own opinion. That’s the beauty of this country, the freedom of speech. So that we can have dialogue and come to an mutual or better yet…a better understanding of both perspectives.

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To take the advice or not

The way I see constructive feedback is 1. What would make the image work better instead or 2. From the perspective of the viewer, how it’d be a better image. There is no right or wrong in street photography but there is good, better, and just not there. I think most people don’t know how to give good constructive feedback, for photography good constructive feedback is saying this doesn’t work but I’d be curious to see if a particular subject passed back or if you got lower it’d add more emotion or mystery to it.

For me even if I receive good constructive feedback I won’t always adjust to their liking’s or to use less words…agree. But I am appreciative of their feedback and thoughts (never know you may learn something new). You got to remember even if Bruce Gilden gave you feedback on a photo you truly liked and he chewed it up to pieces (like he did to mines in San Francisco) and he pointed out why it’s a weak photo, etc, and with over five decades of experience, a Magnum photographer, the list goes on…Even he has a particular style he likes or prefers (plus I don’t think Bruce Gilden ever complimented anyone’s photos besides his very own).

Imagine if someone asked you to review and critique their photo and there’s parts of the image that you do or don’t like about it. You’re giving your opinion  based on your own experience, personal fondness of what type of photos you cater towards. If photographed a scene that included vibrant colors and had a very minimalist aesthetic to it and you ask a fellow photographer that loves black and white photos, that tends to incorporate layers and lots of people in their frame…they probably won’t appreciate your photo compared if another photographer presented photos that shared the same ideas and have similar taste in style.

That’s why I believe in not having a style. Lots of photographers talk about having a style to call your own, to separate from the pack, or to use less words…branding. For me I just shoot what I like, what catches my attention and keeps me curious. I don’t want to be pigeon hold to one style or one way of shooting…I’d get bored too quickly.

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Conclusion

Be open to other opinions. Take what you can learn and filter the rest. People giving criticism online and social media are likely to be more harsh with their feedback because they can hide behind a screen. They’re not dealing with an actual person right in front of them. Think of customer service, when someone calls and make a complaint versus making a complaint in person at the store. Nobody wants to cause a scene at the store and go viral on Facebook. Even if it’s someone you know, their critique online will be much different in person.

ultimately, my advice is to always follow your gut, be true to yourself, you can’t please everyone the only person you should be pleasing is yourself. Life is about taking the bumps and bruises and just picking yourself back up and keep on keeping on.

Defend your work, stand up for it if it’s something you like. Don’t let the opinion of others demoralize you. And don’t change because society tells you to or the feeling of pressure from your peers. Change when you’re ready to change, when you’re ready to take that leap of faith whether that’s in your photography by changing up your approach and style…or if that’s in life where you need to subtract old friends that are nothing but toxic or if you need to move to another country for a change in scenery. Do it by your own terms, create your own destiny, write your own narrative.

Tim Huynh Contact Sheet Volume 1: Legs!

Aloha Everyone,

I wanted to create a contact sheet to share with you folks on how I capture and process my images. This one titled “Legs” is one of three photos that will be published in this year’s World Street Photography 4 book (you can purchase book here).

I saw this giant advertising board at the new Waikiki International Market Place and it caught my attention because of how simple it was, a giant sexy leg of a woman (I assume) and the fact that it was in black and white. I knew I could create something out of this with a lot of mixed reactions of people walking by. This is when visualization and the use of imagination comes in handy when you are able to juxtapose or visualize what may come about. I usually don’t hang out in a particular area for more than 10 minutes, I don’t have the patience. Below are the contact sheets.

Contact sheet Legs 1

Contact sheet Legs 2

Contact sheet Legs 3

I didn’t get the overly dramatic moment that I had wanted to get. I was using flash so it helped draw attention to me as people were walking by and were curious as to what I was photographing. No person or animal was harmed in this event, there was no altercation, people kept on walking and didn’t say a word.

I chose photo #10 because that was the best reaction I got out of the 23 attempts. The couple did not make eye contact with me as I clicked the shutter which was good but also they seem more effected by the giant leg. It almost looks like the man is sort of closing his eyes or not trying to look at the giant leg that’s flashing the couple. The framing of attempt number 10 is the best too. I tried many variations as far as framing, shoot it with no foot, shoot it off to the side, eye level, play around with the actual heel hitting or aligning with someone’s head like in photo number 2. I tried as much as I could within my ten minute patient bar. I also think converting the photo into black and white helped elevate the images it almost looks like the couple blends in and are a part of the advertising display.

Well, if you guys think another attempt was a better shot or if I should have tried a different way to work the scene, please let me know.

Thanks for reading and keep shooting!

Color vs Black and White Photography

 

When I first started shooting street photography I thought my images needed to be in black and white. I discovered street photography through Vivian Maier which a lot of her iconic images are in black and white and whenever I would google search the term “street photography” most of the time black and white images would appear (HCB, Robert Frank, Bruce Davidson, etc). Now that was in 2010. Street photography within the last decade or so has really been revolutionized, a big part of that is social media, it’s easier to share your work with the world. You don’t need to have photos exhibited at a physical location, plus having it online reaches more people (I still love the exhibit or festival component, more prestigious and it’s nice to see quality printed work displayed). Cameras are now accessible, you can get a pretty cheap point and shoot for $500 or so, or you can use your smartphone (Samsung S8 quality is awesome).

Going off topic, anyways, yeah so there’s black and white or color approach to making your photos. Now there’s no rules in photography but my own bias opinion is to stick with one or the other, try both and see which flavor resonates with you more, but ultimately try to stick with one for a particular project you are working on or body of work. I don’t think turning a photo black and white for the sake of the photo being black and white is a much of an argument. I rarely post process a photo to black and white unless I think it helps elevate the photo. Whether it adds to the story, elevates the image and the narrative then I will convert the photo to black and white (keep reading I’ll show an example soon).

I think if you want to challenge yourself, ask yourself “Why am I turning this photo black and white” or “why am I keeping this photo in color”. It’s not to put any barriers in your photography but more of a self reflection or to better understand your own photos or maybe to just better understand yourself. Why do you like color more than black and white or vice versa.

I think both color and black an white has it’s advantages. My opinion on black and white photos is that it has more soul, one less element (no-color) so there’s potentially less distraction and with that you can draw your viewer in closer to what you want them to focus on. If you’re starting off in street photography and your don’t have a lot of direction, I would suggest shooting in black and white or post processing in black and white. This way you have one less element to focus on or distract you from. Black and white photos tend to have more soul or nostalgic feel to it. Takes us back to a place and time. You are not worried about color combinations (Blue-Yellow, Red-Green, Red Yellow, etc), rather you are more concern about capturing raw emotion at a fraction of a section (facial expressions, body language, hand gestures, sad, happy, mad faces.

Black & White

I would say to make a very good black and white photo is hard, it’s its own art form. But to make a decent black and white photo is easy, the lighting, shadows, or primary subject can be “Okay” or nothing really has to align together and it may still work. The best black and white photographers “IMO” (Daido Maroyama, HCB, Bruce Gilden, Tatsyo Suzuki, Chris Suspect, Argus Paul-Estabrook) they either have a clean image all around the edges, it’s simple, or a lot of soul and emotion in there images, or all three.

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For instance, my photo above “Hair Extension” was shot in color and converted to black and white. I photographed this woman because of her unique Afro, (crazy hair catches my eye). There were no intentions or preconceived awareness of subtly aligning her hair with the tree in the background. It wasn’t until I uploaded the photo onto my computer then realized that it created a humorous moment for me. I recognized it in color but with the bushes of the tree being green I wouldn’t think the story in the image would fully portray itself. So in that instance, turning it to black and white in my opinion helped sor of elevate the narrative I wanted to get across.

Color

When I first learned about William Eggleston and his color work, it opened a new can of worms for me. It opened up my eyes that street photography doesn’t have to be in black and white, and doesn’t always need to be of people. Eggleston reinvented the wheel and reminded us that there are no rules in photography, just your own self-limitations. Then I discovered Martin Parr, Alex Webb, Jack Simon, Jesse Marlow, Harry Gruyaert, Constantine Manos, etc). There’s also photos I come across and think to myself “that would have been more effective in black and white” or “I wonder how this photo would look in color”.

For me I’ve found color to be more challenging (I like a challenge) and most importantly more fun to shoot. You got to consider all aspect of the environment you’re shooting in. The light, shadows, color, patterns, complimentary color patterns and how these elements effect your overall frame. There’s a sense of more excitement with color and you can play around with depth a lot more (check out Alex Webb’s work or Harry Gruyaert). You can use color to evoke a different expression or feeling, color takes into account of not just people but again…the environment. The little details in a color photo can help elevate the image too.

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My photo above is obviously vibrant with slight subject to the left with contrasting blue. It’s simple, no faces, there’s not a lot or if any “SOUL” but there is a mystery to it. And with mystery that alone can make us feel a certain way. In this case, had I converted this photo into black and white, it just wouldn’t work in my opinion. The vibrant and strong color of red is the obvious attention grabber but the blue hand and umbrella on the left is not only the perfect color to counteract the red, there’s perfect portion of blue in the frame. The colors is what makes this photo, it adds to the narrative in my opinion. There’s also not a lot of other distracting colors competing with the red and blue. It just so happens to be a red wall, a person walking by with a red umbrella, and a slight arm with a blue sleeve and blue umbrella. You can call it lucky or letting experience and instincts kick in…or all three to get the shot.

Conclusion

I notice color helps with humorous or more playful situation whereas black and white is more serious situations….and yes color can trigger an emotional sensory and can definitely enhance a mood if the main subject is the prominent hue in my opinion…color can also be distracting and take away focus if the colors aren’t prominent enough.

Experimenting with black and white, forms and shapes seem to work more effective that I’ve seen and create a timeless photo…playing with shapes and form with color is achievable but a lot hard to come by from my experience.

I don’t think one is better than the other, it’s just a different aesthetic. Personally, I currently enjoy shooting and post processing in color. I like the challenge and the extra element of color. One of my fall backs when I’m out on the street and not really coming across anything is being able to recognize vibrant colors which catches my attention immediately. Shoot what resonates with you and what you like. Who cares if color is popular thing to shoot or if black and white is more hip, just do what you appreciate and defend your work and purpose.

What I learned from the Jesse Marlow & Aaron Berger Leica Workshop

This past week I fortunate to spend 3 days in LA for the Jesse Marlow & Aaron Berger Leica workshop.

Two very different styles and approaches to street photography, Jesse’s work in color, shapes, visualization, and leading lines, while Aaron’s work with “people happening”, character driven, action in the streets approach was great to watch and learn as well. They also reiterated that there are no rules in street photography, which I thought was great to echoe because a lot of the students were new to this and it’s also great for me to hear because often times I put these barriers up that a photo should be this or look like that or have such and such…

Aaron Berger

Aaron is the slickest photographer I’ve ever seen work…he slitters like a snack, through and in-between people and no one ever does notice that he’s making a picture of them. He has it down like clockwork, it’s quite awesome to witness in person. We were out in the LA area for close to 10 hours of shooting. Aaron has a lot of energy and is relentless, his approach to shooting the streets is hitting it up everyday for hours and be on full offensive attack. I admire that of Aaron.

He also anticipates the shot coming from 30 feet away. While walking through a crowd down Hollywood Blvd, he’s not scanning through the crowd that’s five or ten feet from him, he’s looking at twenty five, thirty feet away and visualizing if there’s an opportunity to pair up couples or notice if there’s potentially anything interesting may come about. Learning about dead space and how heads sticking out of other people’s heads in a photo can make or break your images.

I think we all can learn from Aaron by pushing ourselves daily. Go out and make those opportunities happen. Don’t just sit around and expect things to come at you, go out and grab life by the throat. Find what works for you, what visually intrigues you, and get it.

Jesse Marlow

Jesse Marlow is great at recognizing a scene and shooting the scene until it dissolves or until he no longer cannot. I shot with Jesse for most of the day and learned a lot from him, about challenging yourself, finding your unique style and sticking with it, and not giving a shit what others think…if you like the photo, defend it, fight for it.

Jesse has more of a calculated approach I would say. Recognize a scene that’s simple and shoot many times of it, go low, go high, get close, take a step back…be patient, as some of the best photos just unfold itself right in front of you. Drop the f-stop to darken a particular area in the frame to isolate your subject. Look for vibrant color, shadows, leading lines and geometry and be creative with it. Avoid the cliche’s and instead think outside the box. Ultimately don’t worry about awards and prizes, remind yourself to shoot for yourself and because you enjoy doing it. Things will fall into place.

Even the photo does have a story or drama within the frame, something within the image that doesn’t support the photo can turn it into a bad photo. If a shadow or a giant tree is in the frame and doesn’t add to the narrative then it really loses it soul. It’ll draws people attention away from the main focus.

Bring your camera everywhere. Jesse is the opposite of Aaron, he doesn’t allocate time each day and go out and shoot. Rather Jesse just brings his camera wherever with him. This allows more free time with his family and also doesn’t add any pressure or disappointments to photography. If he see’s something while he’s driving or on his way to the grocery, he’ll have his camera ready and loaded. But if he didn’t capture anything while on the road or on errands then no big deal. There’s no expectations and I think we all can learn from Jesse’s approach.

Conclusion

I highly recommend beginners or advance street photographers to learn from both Jesse and Aaron. Even if your style or what you’d like to be your style is opposite from either one of them, it’s great to learn and absorb new techniques and knowledge on street photography. Listen and see what makes a photograph work out on the field and in the classroom.

I want to thank the class, Aaron, Jesse, Tom Smith of Leica Akadmie North America, my family for allowing me to go on this adventure, and the staff at Leica LA for an awesome experience.

*** I also took a street photography workshop from Jack Simon in 2016, visit my succinct  review here What I learned during Jack Simon’s workshop.

What I learned from Bruce Gilden

               

Met Bruce Gilden at this past year’s Streetfoto. Had the opportunity to hear him critique photos and give a lecture on his projects and experience of nearly 5 decades in photography. I also enjoyed hearing him chew out my photo from the Streetfoto Cagematch. Bruce has that presence about him, when he speaks, you listen. Here’s what I learned from Bruce Gilden.

Photograph Your Soul

A lot of Gilden’s photos are gritty and some would say unpleasant close-ups of people in today’s society. Specifically his most recent works like FACE, where he photographs prostitutes and drug addicts around the globe. These photos resonates with him because his mother was of similar situation and feels it’s his personal obligation to keep the people he photograph’s legacy to carry on through his images.

If you’re photographing homeless people for instance…but you personally have no connection with the subject, it’ll easily show in your photos. If something resonates with you, you’ll be willing to push yourself because of the connection to the subject, time or place.

For me, I love photographing in Waikiki. It’s a sentimental place for me, I grew up in the area, have lots of memories. I didn’t learn how to swim until I was 21 years old but that didn’t stop me from going out into the ocean as a kid. I enjoy seeing the blend of tourist with locals. I love the Aloha spirit, it reminds me of my childhood, just care free.

Framing

During the Cagematch, Gilden was big on framing. He didn’t like partially cropped out body parts. For a good photo to happen, framing is number 1 for him. A clean photo all around the edges with no dead space. Dead space can make or break a photo. Gilden’s critique was consistently grilling the photos on their framing and cropping. First, I belive there are no rules in street photography…and once you put those rules, it’s like putting up barriers or an analogy locking yourself behind bars. The best approach to street photography is to have an open mind and to shoot first ask questions later…Gilden had great points about many photos on framing and spacing but i would argue against a few…but who am I…

Keep it Simple

Sometimes we add too much in a photo and there’s no strong focal point. Keep it simple…less is more.

What’s Happening Here

Many shooters think if their photos have people in them it’s a street photograph…but really if nothing interesting or dramatic is happening or is about to happen then you just have a photo of people…which anyone can do and is overly done these days. Find the details in your particular subject, maybe they have a crooked tie, or broken now, or a subtle band-aid near their eye. Something that throws off the photo and makes it interesting.

Shoot What Inspires You

You gotta shoot what you like. Shoot who you are. Or else nothing will come out of it. Shoot what has you curious in wanting to know more.

Conclusion

It was obvious Bruce had his belief and approach to photography…however, street photography has evolve so much since, especially in recent years. Bruce’s approach is just one of many…there is no right or wrong…or rules in street photography. If we all approached it the same way then it becomes a science and not an art form. We shoot street for the challenge and as our creative outlet…just keep shooting and keep pushing yourself.

10 Reasons Why I love Shooting Street Photography

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1. Street Photography is a Challenge

Street photography is always a challenge. It requires skills such as timing, reaction, awareness, being able to anticipate, visualizing a scene, being brave, being sly, a little luck, and so many more to make a photo.

I always make the analogy that street photography is like fishing…some days you’ll catch a fish…but rarely you’ll catch the fish you want. Fishing requires a lot of patience and time too, just like with street photography, it takes time and patience to come across a scene on the streets and being at the right place at the right time. But once you finally see a scene you like and make a photo of it, it makes you appreciate everything that goes into street photography. The walking (sort of like a hunter on the streets), going on days, weeks, or even months without anything self satisfying.

If I were to make a good photo every time I went out, I would lose interest real quickly. I need to be challenged in everything that I do or else I get…bored.

2. Street Photography is my Creative Outlet

I was always a creative person. I just felt like I was another being from another planet. I always saw things in a real weird or strange way. Most of the time I would interpret things in a more comical sense because humor and laughter makes me feel good. So I try to find those moments when I’m out shooting.

My background is in Film/Video, I earned my Bachelor’s in Film at the University of Hawaii at Manoa. I’ve always been intrigued with what art could do and in sharing stories through the lens. I don’t pursue any narration avenues anymore through film/video, it’s too stressful, you end up being more of a manager/baby sitter, especially when you have a low budget to produce films or when you’re working with a client (usually small local businesses) with little to no budget. It’s fun and a challenge to an extent but not as much as street photography.

Street photography is only up to you. How much you want to put in. It’s sort of like training at the gym to improve your health and physical physique. You can hire a trainer and have a training partner but ultimately your success and failure are based on you and you alone. In film/video there can be a lot of finger pointing, well the editor didn’t do a good job cutting this scene, the lighting was bad, the actors sucked…In street photography, nothing is staged, it’s happening in real time and in public setting. You can only blame yourself for not taking the picture, not having your camera settings correct, not being close or far enough, not editing properly, not studying other photographers, not improving one self, all of these is dependent on you.

3. Street Photography helps me Zone Out

Street photography helps me get my mind off the daily stresses….what is my family going to eat for dinner, when will i receive my rightfully deserved raise, work stuff, family stuff, the future, the past, friendships, the what if’s…our current state of our country, etc.

When I shoot, all those worries exit the door. If for some reason it doesn’t I can’t really focus on being in the moment and enjoy my photo walk and ends up being a waste of time.

4. I Enjoy Walking

I’ve always enjoyed walking as I’ve used the time to relax and meditate away from my stresses. I started walking at a young age 10 months old, my parents couldn’t afford a stroller so they made me walk everywhere. I used to walk a mile or two home all through grade school, so walking was never an issue for me. Plus it kept the body fat in check.

Nowadays, I take a walk when I can, I’ll walk on my hour lunch break with my camera. On the weekends, after work. This helps me get away from sitting in a cubicle for 8 hours a day or staring at my phone. If I don’t take a walk sometime within the day I get irritated and my body specifically my shoulders get real tight.

Making photos out on my walk is the bonus.

5. Street Photography helps me Appreciate the Moment

Being out and about allows me to appreciate my community, my environment, but also be aware and conscious of issues in my area (homelessness, traffic, people looking miserable because of their jobs, people glued to their phones, etc). Through my observation it helps me better understand people in their current state and also allows me to reflect on the past with the rapid changes in comparison to my own childhood.

6. I love Creating My Own Images

I love taking/making photos out in the public setting. I have something where I can call my own! I don’t work for anyone, have anyone to tell me get this or get that. I click the shutter when my eyes, heart, and soul feel something out in the streets. Once it’s capture, it can never be duplicated, it is unique to my own eyes and personal touch.

It’s very similar to remodeling your own home. From buying of the materials, getting your hands dirty all with a vision in mind. The simplicity of visualizing something that’s personal to you and making it become a reality is a great feeling. For photos, when you see that A-HA moment out in the streets and make an image out it, it’s sort of like an orgasimic feeling.

 

7. I Like to People Watch

I love to observe and see what other people do out in the public. How they act or react in certain situations. Observing how we’re all so similar but yet so far disconnected from one another. Observing how people interact in groups versus solo.

8. Street Photography is Fun

I wouldn’t continue doing street photography if it wasn’t fun. The day that I have no fun in it, is the day I’ll completely stop. I need to often remind myself that I shoot for myself and not to take this so seriously. Street photography is my medicine for stress (better than cigarettes).

9. Everyday is a New Opportunity

Everyday is a new day to conquer an opportunity in which is awaiting before us. Same applies in street photography, everyday is a new day. You can go to the same spot at the same exact time of day and you’ll always discover something new. It’ll always be different and therefore you’re money shot of an opportunity might just rain on you from the photo God’s. I shoot at the same spots time after time, I have yet to be bored or become lazy.

You don’t need to travel to a new place every year to make good photos. You can do it in your back yard or anywhere rather. That’s what makes street photography as unique as it is.

10. Keeps Me Inspired

Street photography keeps me inspired knowing that I’m documenting my surroundings, my community for the greater good of mankind. It helps me get through the day at work, it makes me have something to look forward to. I don’t shoot street to make money, I do it because it feels right, in my gut it feels good to go out and make photos.

Looking at other street photographer’s photos online and through books keep me moving. A lot of times I’m just amazed at what other people see and are able to capture, it blows me away. Creating nothing into something is very uplifting too, as we all try to do that in our everyday life through work, school, trying to make a $1 out of .15 cents.

 

I hope my 10 reasons on why I love to shoot street photography resonated with you. Ask yourself why you enjoy shooting street photography and this may lead to a bigger purpose with a more refined goal down the line.

Thanks for reading, keep shooting.

Tim

How To Travel On A Budget…

Many of us think that traveling requires a lot of money, different countries may cost more than others…the time of year on when you travel will factor in on the cost too. If you stay at a motel, 5 star hotel, or my personal favorite with a host via Airbnb. All of this factors into your overall travel budget. Here’s some tips from my most recent experience…

This past January I traveled to Havana, Cuba from Honolulu, HI. I set a goal not to spend more than $1200 within my 4 night stay (that’s with airfare, food, place to stay, site visits, taxi, souvenirs to bring back home, visa, passport). Here’s how I did it.

Buy airfare at the right time

Once I made up my mind that I was going to pursue this photographic journey to Cuba (and approval from the wife) I checked the prices on the flights via google flights everyday. I also read the conspiracy that tickets were cheaper during the middle of the week, Tuesdays-Wednesday. Airfare prices would fluctuate more or less $50. One week it went up $100, more than what I’ve been looking at and I panicked. I waited and with a little bit of luck the following week the prices dropped back down to what it was normally going for. I jumped on it and bought my ticket (there’s no direct flight from Hawaii to Cuba…HI to SF, SF to FL, FL to Cuba) for $720.

As of now HNL to HAV is $920…

Airfare – $720

Visa – $50

I have $430 left to spend.

Fuck Hotels

If you have a friend or former colleague in the area you’re traveling to, I’d suggest you reach out to them and ask if you can crash at their place for a few nights in exchange for dinner and a few drinks. If that doesn’t work, look for a place to stay on airbnb. Airbnb is the best thing around, I have used airbnb 3 times and will not go back to spending a dollar at a hotel.

Why airbnb over hotels? You can narrow down your search from private rooms, an entire home, shared room, pricing, locations, and you can contact the host before committing. One thing I hate about hotels is the check in. Sometimes the lines and wait can take forever. With airbnb there’s no line, no check in, communicate upon arrival and let them know when you’re anticipated to fly in and why you’re traveling to their city/country.

Hotels feel cold, with airbnb you feel like your at home which I rather prefer. Plus, when I would stay at a hotel I wouldn’t want to go out and stay out as long. I would do one activity and go back to the hotel and just sit in bed. With airbnb, because it’s someone’s house, it forces me to start my day early and end my night late. I get out of the house between 9am-10am and won’t head back until 9pm-10pm. A full 12 hour day. Which makes me explore more and cover more ground. If I were to just stay in the airbnb house for most of the day it’ll be too similar as being at home on the weekend, so this forces me to get up and get out.

My airbnb stay in a havana (shared apt, private room) was $12 a day. Much cheaper than staying in a government run hotel in Havana for an average of $150 a night. Which brings me to my next point.

I rather support a fellow brother or sister by staying at their home than to give my money and get ripped off by big private corporations or in Havana, government. Airbnb gives additional income for homeowners to help pay their mortgage.

I could have stayed right in the heart of Old Havana for $50 a night (where I ended up spending most of my time shooting) but instead my airbnb stay was near the Jose Marti Monument ($12 a night). Taking the taxi (10-15 minute drive, depends if your cab driver knew his way around it was a hit or miss for me LMAO good times) $20-25 round trip. Still cheaper than if I had stayed at the airbnb location in Old Havana for $50 a night.

Airbnb Stay – $12 a night w/$10 airbnb fee = $58!!!

Airfare + Visa + Airbnb = $828

Food

Eat, enjoy, try new dishes but you must budget. If you ate at a highend restaurant one day, eat cheap and find a hole in the wall bar/restaurant the next day. Instead of eating 3 meals a day, eat 2 meals or 1. Eat where you have enough fuel to carry yourself throughout the day, don’t over eat and stuff yourself. You’ll end up spending more and feeling gross and tired after every meal and you’ll just want to head back to your stay and take a nap.

My first night in Havana I spent quite a lot on food and beverages (a bottle of beer is cheaper than a bottle of water). I ate 2 meals at a pretty fancy restaurants with an average bill of $20 a piece. Equaling $40. The remainder of my stay I budget $20 or less for food, often drinking coffee and a sandwich for breakfast, a decent priced meal for lunch usually fish and rice, and a sandwich through a cheap street vendor.

Food – $80 for 4 nights

Airfare + Visa + Airbnb + Food = $908

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Getting Around

Do your research if it’s cheaper to rent a car (always got to think about parking and the cost of it) bus, train, uber, or taxi. The most convenient transportation in Cuba was local taxi cabs. One of the most joyful experiences is just sitting in the cab and taking in the view of Havana. There’s no google maps, so some of the cab drivers had difficulty finding my airbnb stay. It didn’t bother me because I enjoyed the sight seeing and they do not charge by the minute. Before you enter the car you always ask how much from here to there and they’ll give you a price and live by their word. It’s awesome! And the locals were always willing to help with directions, who needs google maps…

Airport to Jose Marti Monument (airbnb area) = $30 x 2 = $60

Usage of taxi round trip = $25 x 4 days = $100

Total transportation cost = $160 

Trip total thus far = $908 + $160 = $1128

Souvenirs

One souvenir to bring back home are CUBAN CIGARS! They are crazy expensive (the good quality ones at least) Luckily my airbnb host had a friend who sold them to me at a discounted price. I bought 2 boxes of cigars (each box had 25 cigars in them) for the price of $100. I seen a few street vendors and government run cigar stores that were selling them for $150 plus.

This brings my total to $1168. I barely beat my $1200 travel budget.

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Conclusion

Set a realistic budget for your next travel adventure. Do all the research ahead of time (I had to because of Cuba’s internet situation). Research when’s the best time to go to your destination and when’s the cheapest time to buy the airfare.

Don’t pack too much clothes and other stuff, travel light, have as little stress possible when you’re on vacation. Set a daily spending cap and stick to it. Research free things to do before paying for those bus tours. Substitute a vehicle and walk. Burn some calories while on vacation and plus you’re in a new scene so where where you go, every corner you turn, it’s something new and exciting.

Book an airbnb instead of a hotel/motel. SAVE SAVE SAVE! And help the common man.

Learn the language, minimum to get around is more than enough, I made a word doc and printed mines out (Where is this? How much is this? How far? How many minutes? How are you? Thank you).

Be discipline with your $ and have fun.

Thanks for reading, keep shooting,

Tim

Hawaii Street Photography

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Aloha,

When most people think of street photography they think you must shoot in areas where there’s chaos of people, rich in history, or plentiful of colors. Some countries/cities that are on the top of most street photographers list to shoot in are India, Japan, London, New York, Coney Island, LA, San Francisco,  and Cuba. Hawaii is not even a consideration or on the radar. Hawaii is home to a lot of great photographers or genres of photography, surf photography (Clark Little, John Hook), landscape photography (Aaron Feinberg), seascape photography, sunrise/sunset photography, nature photography, I can go on.

When I first started off I thought I wasn’t able to produce quality images or find those eye catching moments because I was in Honolulu, everything seemed so boring. Everything looked the same (born and raised in Honolulu my whole life).

Shooting for over a few years now, I can say some of my best images were made here in Honolulu, right in my backyard, my childhood playground of Waikiki. Traveling to different cities or countries have made me appreciate home. You don’t need to be in a big city to produce good images, the truth o f the matter is the more you go and shoot the more the opportunity will present itself. No matter the location.

Why I think Honolulu is a prime location for street photography…

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Personally, I think Honolulu is a great place for street photography (I have yet adventured to the neighbor islands to shoot, will explore one day). Honolulu offers a lot in the form of diverse cultures, if you take a scroll to Waikiki (touristy spot), you’ll find locals, tourist, of all shape, sizes, color, background. The island is located between international Asia and the US mainland. We have the option to shoot on the beach (my personal favorite) and catch surreal, comical, and interesting moments.

Weather is great year round with spectacular lighting for sunset or sunrise. A good portion of Honolulu is under redevelopment. Kaka’ako is an area that’s going through major changes (the government wants that to be the hip area aka San Francisco of Hawaii). There’s a lot of construction, graffiti art (the famous POW WOW Hawaii), on weekends they have events. It’s not a dense area like Waikiki but it’s a good spot to find something different and be away from a chaotic area like Waikiki.

There’s other areas within Honolulu that I would consider good spots to roam and shoot. I would consider Kalihi as an area with potential, it’s not overcrowded with people but there’s a lot of old homes, shops, some nice colors. It’s not a touristy spot, so if you’re looking to get away from the tourist attractions, I would consider Kalihi. Many surrounding areas within Kalihi are low income housing, homelessness, different ethnic backgrounds, many schools within a short radius.

There’s many areas that I have yet hit up myself and would like to (Waipahu, Haleiwa, Kaimuki). You can check out Japanese street photographer Shin Noguchi, who recently visited Honolulu and captured many great moments (he’s currently seeking a publisher to publish his book “Hawaii”).

I think there are people who are interested in learning what street photography is and how to go about it here in Hawaii. There are a few people on the islands that I know already shoots this genre. And with the reach of social media, I do foresee Hawaii being more active and one of the top destinations for not just seascape or sunrise/sunset photography…(oh how did I forget to mention “WEDDING PHOTOGRAPHY”,) but for street photography too. You can make great photos anywhere and anytime. Keep shooting!

“Success is where preparation and opportunity meet” – Bobby Unser