Interview With Hawaii Street Photographer Anthony Consillio

Hi Anthony thanks for doing this. where do you live and how does this influence your photography?

A. Hello! Thank you for having me! My name is Anthony Consillio and I live in Mililani on the island of Oahu just about 20 miles from Honolulu. Living in Hawaii has been great for me as a photographer. We have good weather year round so I can get out there more often and such a diverse landscape that you don’t really find in many places. Surf, sunsets and city settings…a little something for everyone. For me living out in Mililani (considered out in the country over here) I gravitate towards the city streets and where masses gather. Brick buildings, long shadows and busy people are what I look for.

When and how did you get into photography (and then street photography)?
A.  I picked up a camera back in 2005 when my son was born and other than taking photos of him and a year and a half  later his sister I was taking a lot of landscape and seascape photos…very Hawaiiana. Around that time I had a few friends who were all getting married so I was asked to shoot their weddings and after a few of those I found out that I had a knack for it and started my photography business. I  had been doing wedding and events for about 6 years when I was asked to take a staff position at a local paper here in Honolulu called MidWeek and I’ve been here ever since. After getting more active on social media posting my work images on Facebook and Instagram I started stumbling across street photography sites and images which I found very interesting. I decided to start wandering the streets around my office to give it a shot and found that I really enjoyed it. I liked capturing the moments rather than staging the shots as I did at work. I used street photography as a way to hone my skills and get a little exercise.

If you had to explain your work to a senior citizen how would you describe it ?

A.  I love colors and dark shadows, a lot of contrast. I don’t stage any shots but will wait a while if I see a strip of light I like and just wait for someone to walk through it. I like gritty, grungy streets and just try and capture things as they happen. If I had to describe it to someone the simple answer would be I shoot people and chase lights and shadows.

What frustrates you about photography?

A. One of my biggest frustrations happens everyday. I have a really hard time figuring out which lens to take. I try to do the “one lens and one body” thing so I will spend about 10 minutes going back and forth between my 23, 35 and 50mm lenses before I actually head out the door. Other frustrations I have are that I see so many great crosswalk shots but I just can’t seem to get one.

What’s your thoughts on today’s street photography landscape?

A. More people are shooting street, some more relevant than other but hey they are still getting out there. There are so many interpretations of what street photography is and so many great images coming from it. I think it’s great!

What is one street photo you never get tired of?

A. I like so many photos from so many different photographers but to pick just one I would probably go with Saul Leiter’s ‘Harlem or even “Man with the straw hat” I used to look at those two images a lot when I was younger. I can’t even remember where I first saw them but they stuck with me.

What are you most proud of in terms of your work?

A. My growth as a street photographer. Over time I got better and more confident in bringing my camera up and getting the shot. There were times when I was gun shy and missed shots because they caught me taking their photo. Another area I feel I grew is that I got better in identifying potential shots and I always have an eye out for light and shadows. I’m able to capture better photos now than I was just a year ago and I think I’ve found a particular style that I’m currently happy with.
Do you foresee Hawaii being a major location for street photography?

A. I would love to see Hawaii have a bigger role as a street photography destination and I feel we have all the pieces to be a major player. We have a very diverse population and cultures, great weather, a good mix of old & new and magnificent views and landscapes all in a relatively small package. Photographers already flock to Hawaii for the landscapes and seascapes I don’t know why more don’t come here for street photography.

Which street photographer inspires you and why?
A. I really like the work of Saul Leiter and his use of colors and shadows. I also like the fact that he used longer focal lengths than most other street photographers who were shooting with 24, 28 and 35mm lenses.
Name three contemporary photographers you really admire?
A. I really like the works of Craig Whitehead, David Sark and Brandon Wong. I love their use of color and shadows. I always look forward to seeing their new posts on Instagram.
If you can have dinner with one street photographer past or present who would it be? 

A. I think I’d like to have dinner with Bruce Gilden. Not my particular style of street photography but still he has made a major impact in the genre. I have at times tried to just walk up and snap a shot of someone but never had the same results but was fun trying. Besides I think it would either be a very funny conversation or he would just piss me off.

When you aren’t making pictures you are doing what?

A. I’m usually spending time with my family and friends. I like hiking so You can find me at times on trails, ridges and pillboxes around the island but I normally have a camera with me then too so I’m always shooting.


When or what was the most fun you had photographing?

A. It’s not street related but I had the opportunity to cover a story on a helicopter tour company and they offered to take us on a round the island flight so I was able to spend an hour and a half to 2 hours flying around snapping away. Crossed something off my bucket list as well as got a few good shots.
I ask everyone this question. If you could have one street photographer shoot your wedding who would it be?  

A. Great question! I would probably have wanted Weegee (Arthur Fellig) to shoot my wedding if it was possible. I would like to see how someone who shot violence, crime and freaky subcultures would do shooting a wedding. My wife may not like what she got back but I’m sure it would have been very interesting.


Any personal street photography tips or advice you have to those out there?

A. Always have your camera with you and just get out there and shoot. I believe the more you shoot the more you will learn.
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Keep up with Anthony Consillio’s work below!

Adding this donate button. Any donation will be greatly appreciated. Your monetary donation will be used for coffee and photobooks. Mahalo

Hawaii Cars

My on-going project of abandon cars in Hawaii…check it out









Adding this donate button. Any donation will be greatly appreciated. Your monetary donation will be used for coffee and photobooks. Mahalo


Are Your Photos “Street Photography”


The following presentation is a rant on whether or not your photos are considered “street photography”.

What is street photography???

According to wikipedia…”Street photography, also sometimes called candid photography, is photography conducted for art or enquiry that features unmediated chance encounters and random incidents[1] within public places. Although there is a difference between street and candid photography, it is usually subtle with most street photography being candid in nature but not all candid photography being classifiable as street photography. Street photography does not necessitate the presence of a street or even the urban environment. Though people usually feature directly, street photography might be absent of people and can be of an object or environment where the image projects a decidedly human character in facsimile or aesthetic”.

So why not call it candid photography since it’s photographed candidly….or public photography since it’s in public. Candid photography sounds more quote unquote…formal….street photography sounds much cooler and is what I would prefer it to be called. You can even call it un-posed photography as “street” doesn’t always happen on the street. It happens everywhere, in the living room, zoo, mall, theater, but the idea of it being candid and focusing on the decisive moment is still relevant. Anyone posing shots or asking for permission is attempting more documentary photography.


However, in my bias opinion at the end of the day photography is photography. Categorizing themes or subjects is just another way of organizing a book shelve, where one shelve is all material on cooking and the bottom of the book shelve being children’s books…but at the end of the day they are all just BOOKS!!! Sometimes we label things just for conventional purposes…same with street photography.

Also to continue my rant…if you look at how the photos within the genre of street photography have evolved over the past three or four comes off more as “Fine Art Photography” (yes I’m creating a new term)….there are so many “one and done”…”one liner”….”humor” photos that get recognized on social media and at photo festivals…it’s insane and nothing compared to more traditional photos let’s say Winogrand or Henri Cartier Bresson. Don’t get me wrong, I am not hating on humor photos or one and done type of photos…at the end of the day, to me a good photo is a good photo. The photo either works or simply doesn’t work. It’s a yes or no.


Taking candid photos of random strangers on the sidewalk without any context or substance would be considered street photography…I assume so…does that mean the person is contributing to the abundance of crap floating on social media, myself included…that’s up to you as the viewer as you are the only one that can filter out good versus bad photos and have your own preconceived bias judgement on what is considered a good street photo and what’s not. If you showed a slideshow of various styles in street photography to 10 amateur and 10 prominent  street photographers I bet your ass each one will have a different opinion on the photos itself. Street photography is a very subjective, it is the hardest form of photography but yet the purest form of photography there is in my bias opinion.

I think it’s best to not use social media to obtain any influence on street photography…however if there is a particular photographer you come across on social media that you really like then by all means follow their work. I think it’s best to study the greats Alex Webb, HCB, Winogrand, Meyeworitz, Eggleston and me…Joke. Their photos have context and substance that go beyond the photo itself.


What Street Photography Is Not…

Studio Photography

Studio photography…uhhh duuhhh…studio photography is too artificial and set up…there’s nothing spontaneous about it. It’s just too manipulative with the makeup artist, hair artist, wardrobe, studio lights, camera assistants….and ultimately it’s not candid…at all.

Wave Photography

Wave photography is photographed out in the open…it is candid…but the primary subject in street photography are people or the urban therefore wave photography is not street photography or a sub category of it. However, if you want to get philosophical and defend your argument that wave photography is very well street photography…perhaps you can by saying that you aren’t just focusing on the waves itself but the environment. The ocean. The beach. Where people come together and congregate. It is living proof of humanity and culture of how people enjoy their free time and get away from reality.


Landscape Photography

Landscape falls into a similar realm like wave photography….there’s no urban element that coincides with street photography. But what if my landscape shot has a person in the frame…is that now street photography? Maybe. I’ll leave it up to you how you’d like to sub-categorize your photos but if you’re asking my opinion…No. Since the primary focus is on the landscape, sunset, sunrise, tree, water, mountain.


Maybe this is all a misconception. Definitions or terms are usually created by historians, academics, or critics that have never even picked up a camera and give an honest attempt to photographing the streets. Garry Winogrand, one of the most beloved contemporary street photographers, hated the term “street photography” and just considered himself a “photographer”. Bruce Davidson also did the majority of his work in the streets, on the subway, in the projects and is considered a “street photographer”. However, Davidson disliked the term “street photography” and refused to call himself one. Then there’s Henri Cartier-Bresson, the Godfather of “street photography”… never called himself a street photographer.

At the end of the day I can’t stress enough that a good photo is a good photo…regardless if it was a street photograph, landscape photography, wildlife or nature photograph, a studio portrait….Don’t worry about whether or not your photos are “street enough”…just focus and put your energy in capturing and making memorable photographs. Strong photographs are ones that stir us emotionally, that makes us cry, laugh, sad, allows us to create our own narrative, ask more questions than answers, have us take a deeper look at our communities and society.


OK For Real This is The Conclusion…

One last note, don’t let social media dictate your style or what you’d like to photograph. Photographs on homeless people are frowned down upon in the street photography but if that’s what you’re interested in and can figure out a way to make it really intimate and engaging such as Suzanne Stein (check out the interview I did on her – Interview with Photographer Suzanne Stein) then by all means go for it. Research photographers like Suzanne Stein or others that do a good job in photographing these type of subjects and keep in mind just because your photographing homeless today doesn’t mean you’ll photograph them tomorrow…your style, approach, and interest in street photography will change…it’ll keep evolving as time goes on. My other advice is to incorporate your other interest or specialty into your street photography. I met a friend in a workshop with Jack Simon (you can read my review on his workshop – What I learned during Jack Simon’s workshop) and she wanted to learn how to take street photographs and have more confidence doing so. By trade she was an architecture and did event photography on the side. So she had very good understanding on geometry and leading lines and when we did our photo critique, we can all see she had an eye for just that. Now it was just a matter of incorporating people into her photographs. She later approach the streets as if it was an event, snaking through the crowd and just snapping away. Overtime she can be a really dynamic photographer by combining her variety of skill sets to street photography.


For me I’m a independent filmmaker and commercial videographer by trade. I went to film school because I love the art of storytelling and a bit of a geek when it comes to camera gear. My approach in regards to photographing the streets was always the challenge of creating fiction out of reality. That’s why I’m still motivated to shoot the streets…it’s not because of social media or wanting the likes and comments…it’s not because I get paid to do so or I’m trying to be relevant on Google…or even sell prints for that matter. I enjoy storytelling…and in fact any form of storytelling, street photography just happens to be my way or creative outlet of sharing those stories to the world.

In a nutshell I feel that street photography is more theory and mystery, the photo gives more questions than answers and allows the viewer to create their own story. It also talks more about the actual photographer/artist than the photo itself….whereas documentary photography are about facts, there are more answers than questions presented and can be a conscious and continuous work in progress.


If you are new to street photography below are some blogs to get your feet wet

Street Photography – More than just photographing people

Why Do My Photos Suck

How to Market Yourself as a Street Photographer

Mount Rushmore of Street Photography

Clicking vs Seeing in Street Photography

How to overcome fear in street photography

Click Less Yet Get More

Adding this donate button. Any donation will be greatly appreciated. Your monetary donation will be used for coffee and photobooks. Mahalo

10 Street Photography Resolution Tips

Happy New Year All!!! May health, wealth and happiness be present to you in 2018! Now I am not a big believer in setting up goals especially when it comes to New Year’s resolution. In fact, I believe you are just setting yourself up for failure and disappointment. I feel instead of making a big unrealistic goal for example cut off soda entirely from your diet…instead you should narrow the large goal even further down (just thinking about cutting out your favorite beverage seems overwhelming). So if your goal was initially to cut off soda by year’s end then maybe instead it’s to only allow yourself to drink soda twice (12oz can) a week during lunch. Now that doesn’t seem too difficult does it.

Below are ten street photography goals that you can apply to your new year’s resolution!


Carry Your Camera Everywhere 

Carry your camera everywhere with you and a mobile phone does not count unless that is all you have. So anytime you go out of the house or office, bring your camera. Have it dangling from your wrist or neck. At the very least you won’t regret not making a photo of something you see it. Stop with the excuses of “Oh I forgot my camera”…”Damn I wish I had my camera”…this happened to me on several occasions last year, some may have been good photos but I ain’t losing any sleep for not taking it. I’ll do my best to bring my camera everywhere, you never know what you might see or come across. Read my blog post on “The Laws of Averages”


If you can’t carry your camera everywhere then shoot at least an hour a day

If you are unwilling to carry your camera anytime you head out because you’re either lazy or don’t want to hold a 20oz camera then try to shoot at least an hour a day. Shoot during your lunch break, after work, wake up early and shoot before work. Walk home and shoot. Walk to work and shoot. Remember you’re killing two birds with one stone by being creative and burning them holiday calories.


Be Creative Daily

Be creative daily to help you get thru the day. To help stimulate your mind and soul and to give you something to look forward to. Creativity benefits you in so many ways, your mood, your energy, your overall growth, helps resolve conflict, and create balance and order in your life. The key is to have continual learning, so whether you choose to be creative through photography, reading, drawing, painting, music, or writing, try something new,  find what sticks for you. Everybody is creative.


Take a Workshop

Take a street photography workshop in your city. If not travel to the nearest city from you that’s offering one. If your budget allows, travel offshore to  take the workshop. I say it’s a must do at least once for every street photographer enthusiast.


Travel to a Foreign Country

Travel somewhere you have never been before. Get out of your comfort zone and there’s nothing like seeing a new place with a fresh pair of eyes with a camera in your hands…and most importantly TIME. No need to worry about work, stress, or anything back home. Just shoot it up in a new place. Have fun!

Perhaps, travel to a country and meet up with a local street photographer there. Hit them up and make arrangements before hand. Most street photographers are nice people.

If you are unable to travel then travel to different parts of your own country, city, state….and shoot in different area for one month throughout the year…amounting to 12 new locations for the calendar year. This should help stimulate your creative juices!


Attend a Street Photography Festival

Attend a street photography festival to meet other street photography enthusiast and network as well (I hate that word by the way). Attend panel discussions and learn new things about the art of street photography. If you’re on the west coast visit in San Francisco. If you’re on the east coast stop by in Miami to visit the Miami Street Photography Festival 

There are more street photo festivals booming in parts of Europe due to the popularity of the genre.


Upload Only Your Best Photos on Social Media

Social media is full of crappy photos. Even if your photo is awesome, most likely it wouldn’t get recognize because the way people scroll through their feed is a correlation to the general populations attention span. So when your followers or friends do scroll and come across your photo…make it count…every single time.


Make Prints

Make prints, small or larger, or both…Make postcard sizes which are perfect for Christmas gifts or birthdays. It’s a great touching point with your friends. And physical photos are so much cooler to look at and be appreciative of them than online. There’s a different aura with tangible prints and that’s why street photography photo books have been booming in recent years.


Start On A Project

I did a project when I travelled to Cuba last year. It’s more of a documentary project than street (Rafael Trejos) and still have my on-going project Beach Please!

Projects help you give direction and narrow your focus in times where you may feel like your mind is all over the place and you’re unable to see anything out in the streets.


Don’t Buy A New Camera…Unless

Stop lusting over new gear or lenses. NAB & CES is right around the corner but I would advise to spend less time researching and geeking out on gear and put in more time working on your craft. Hitting up the streets. Your camera is not your limitation. Only your mind is. Also remember your camera is just a tool.

Only buy a new camera if obviously you need one (broken, stolen, etc). I usually don’t upgrade camera’s unless my current one is broken…I am that type of person that wears the same pair of shoes until the sole completely comes off then I’ll buy a new pair.

In fact, your mobile phone is good enough if you are only going to post your work online. I have seen prints as big as 11 x 17 from a Iphone 7 and they look amazing. The average person wouldn’t tell the difference between that print and a print from a 42MP A7RII.

The main keys to making a good photograph, content, framing, and lighting….camera’s don’t produce that…you do.