13 Street Photography Techniques To Try

These 13 Street Photography Techniques To Try are from my own experiences. My opinion and I try to give as much valuable advice as I possible can using examples of my photographs and how I went about in making them. If you’re new to street photography, let me tell you I know how you feel. It’s no easy task. You’re afraid to photograph out in public. You’re paranoid about looking like a creep or possibly getting yelled at. Or maybe you just don’t know what to look for. If you’re an experienced shooter but currently are having a photographer’s block then this article may still pertain to you.

I truly believe that the only way we can become better photographers is if we study the work of other artists and experiment with different styles and philosophies. Here are 13 tips to either get your feet wet in street photography or to re-inspire your photography. Enjoy!

1. Embrace the Mundane


The mundane approach to street photography is a very zen like approach and is a reminder that there are no rules in street photography. Shooting the mundane makes you appreciate life and lessens the stress of hoping to encounter interesting characters on the street or relying on something dramatic to happen in public. William Eggleston was the first photographer to really open my eyes that street photography can be really anything, it doesn’t need to have a physical person in the photo but clearly just about documenting one’s surrounding. If it wasn’t for Mr. Eggleston I probably wouldn’t have taken the photo above or better yet pay any attention to it.

2. Work the Scene



If you come across an interesting character, situation, scene, backdrop…or anything that catches your eye really…and if time allows, keep photographing…continue to click that shutter button until the scene dissolves and you can no longer take any photos. Try different angles. Get close. Go further away. That way you’ll have more options and perspectives to look and choose from. The more you photograph and work the scene you increase your chances of making a good photo (Read My Blog On Laws of Averages).

3. Fishing Technique & Juxtaposition

Contact sheet Legs 1Contact sheet Legs 2Contact sheet Legs 3

Patience is a virtue…This is by far my weakest technique, I am not much of a patient person. My max on waiting around a corner or in front of an interesting wall art or billboard is about 10 minutes. Then I move on. The fishing technique is a classic street photography approach. Simply find or identify an interesting background and wait for the perfect subject to enter the frame to create juxtaposition or evoke an emotion that’s commonly seen in the street photography world such as humor. You could even follow an interesting character and wait till they walk past an interesting background. Obviously, the number one skill to have in this technique is patience.

4. Street Portraits


I call this technique the ice breaker. If you are new to street photography perhaps you may want to start off with this approach. Street photography can be intimidating and taking photos of strangers while trying to look invisible can be a lot to ask for in a beginner. So in that case in order to ease yourself into the process, start by identifying interesting people, faces, their attire. Anyways, something about them or what’s on them resonates with you. Simply go up and ask if you can make a portrait of them. Remember you going up to your high school sweetheart and asking him or her to go with you to prom. Nerve racking wasn’t it. But what’s the worse that can happen. What doesn’t kill you makes you stronger. Okay okay I’m getting all preachy back to reality, so yes give them a compliment and if you are feeling pretty good then tell the person you can email them the photo you just made the following day. Many people will either turn you down or they will simply feel flattered and accept. If the person is not in much of a rush, work the scene, shoot from different angles. High. Low. Direct your subject. Have fun!

Now if you don’t want to waste your time asking for permission then just identity a face you find interesting and take the photo as you walk past them and continue on. The person won’t even notice you making a photograph of them and if they do you’ll be power walking into the crowd (photo above is an example).

5. Don’t Make Eye Contact

Just shoot in their direction and don’t even look their way. Look past them as if you were photographing something or someone that’s behind them. Fiddle with your camera as if something is wrong with it or you don’t know how to operate the camera. Get your acting skills ready, yes improv is useful while on the streets!

6. Compliment & Smile


If you happen to make eye contact then simply compliment, smile, and move on. Better yet, just don’t say anything and continue walking. However, you’d be surprise at the power of compliments. I could use some myself.

7. Try Using Flash


If lighting or weather is an issue in your location or if you’re just lazy to shoot in good light then use flash. I have been using flash lately to mix things up and help me get over my photographer’s block (You can view my vlog episode on that here).

I am having a lot of fun using flash, I like how it makes my image pop and much more vibrant. It also forces me to get closer to my subjects in order for the flash to be in full effect. I set my camera in M-Mode or Manual, set the iso to auto and have my f-stop around f/5 -f/8, adjust the shutter accordingly depending on what I’m photographing and whether or not I am able to execute the slow shutter look effectively.

Yes, flash is more noticeable but again I have not come across any issues yet (knock on wood).

8. Shoot at Night


Shooting at night can be a challenge. First I recommend using flash to get decent lighting. Shooting at night with flash is more noticeable than in the day. From my experience night shooting is more about the people that are out and their behaviors. You’re more likely to come across some interesting situations depending what environment you’re at.

9. Shoot During SunSet


Shoot during sunset cause that’s when the light is perfect! It’s not harsh as the afternoon sun, the tricky part though is finding the light. Where is the light hitting. Once you find the area or street and if there’s a lot of foot traffic walking by I would say just plant yourself there until you lose the sun.

10. Shoot When It’s Raining


Before you go out with your camera in the rain make sure to cover it up. You can easily do that by wrapping your camera up with a plastic bag. Shooting in the rain makes for interesting moments, people hopping over puddles, rushing to get out of the rain, umbrellas, and just pure chaos! I like the roads being wet, to me it makes it look more dramatic and ultimately adds to the mood in your image.

11. Hunter Mentality

Just shoot and move on. Click and go. Read my blog post here on Clicking vs Seeing.

12. Smooth Criminal



Be like Aaron Berger who is the smoothest guy when shooting the streets. The ideal scenario is to shoot and blend in with the crowd, your surroundings. And not be noticed. Be confident with each shot, have your camera already near or at least by your chest area. That way when you do find something you can bring the camera’s viewfinder to your eye very quickly rather than having your camera dangling by your waist and creating a big motion that will ultimately attract unneeded attention.

13. Follow Follow Follow!!!


When you find something interesting but haven’t pieced together anything interesting whether that be in the foreground or background then follow your subject. For example the photo above, I seen them from behind on the sidewalk. I really liked the vibrant aloha shirt the man was wearing and the plastic coverings (it was raining that day). I followed them for about thirty seconds or so maybe even less. As soon as I noticed they were walking towards the sand I got a little overly excited. The beach was empty for obvious reasons having pretty heavy showers throughout the day. Soon after the couple just paused to take in the overcast view and I took a few snaps. I really like this photo because I can create my own narrative in my head. I can ask more questions than receive answers. I also really like in the far right that there’s the surfboard with “Rescue” on it.



Again these are practical tips to list and techniques that I have used or experimented with in the past. Take it with a grain of salt. Remember, always experiment and continue to learn, you never know what may come out of it. My advice is to try to focus on one or two of these tips/techniques for a few weeks and see what you walk away with. If nothing clicks then simply move onto the next. I hope this was a fun, inspiring, and informative read. Now go out and shoot!

About The Author

Tim Huynh is a photographer born, raised, and based in Honolulu. This article was created out of Tim’s passion for street photography.

He was a 2017 finalist in Streetfoto San Francisco International Festival and his photography have exhibited in Paris, France, as well as publications such as Honolulu Civil Beat. Tim’s objective is to create images of the raw, comical, interesting, surreal, and candid moments of life in through street photography.

Adding this donate button. Any donation will be greatly appreciated. Your monetary donation will be used for coffee and photobooks. Mahalo

Building the Perfect Street Photographer

I’ve always been curious, what would be the perfect street photographer. One that has the physical tools and intangibles to become a great photographer. Similar to what the NFL analysis on ESPN do, when they discuss building the perfect quarterback, I want to do my own of building the perfect street photographer! Let’s the fun begin!

Vision, Eyes

This one is tough, I can only pick one, heck all of the list moving forward is going to be tough…it’s a close race but I’m going to have to go with Mr. Alex Webb.

The ability to see light, color, and add layers within a frame…is hard to pull off…yet alone make interesting.

Street Smarts

According to google street-smart is…“the experience and knowledge necessary to deal with the potential difficulties or dangers of life in an urban environment”

The controversial Bruce Gilden wins this hands down. You will see his name a few more times below. Keep reading…

Heart, Passion, Desire

This is easy…Everyone…Everyone that photographs for themselves, that needs to shoot because it is their drug, their addiction. The camera is part of their limb, shooting, editing, admiring other photographer’s works are part of their daily routine. Don’t do it for the wrong reasons, the likes, the follows, the glory, awards, the money, the lap dances…oh wait the last one only refers to me…keep reading…


I have to give it to Bruce Gilden. Getting close and flashing people up in their grill without any hesitation is something to admire to say the least. Gilden once said that he’s not afraid of confrontation because he doesn’t believe he’s doing anything wrong.


You got to be confidence to get really close and flash people in the face! So that’s why…no no not Gilden…Mark Cohen takes this.


There are so many, especially in today’s street photography world. I would say within the last several years that a lot more humor have been instilled in a street photograph…but I must give this one to the originator of finding those humorous moments in the public setting…Ellioit Erwitt. 

Speed & Quickness

Speed and quickness is heavily undervalued…now i’m not talking about the speed NFL players use at a combine…I’m talking about clicking the shutter and moving along, like if nothing had ever happened. I’ve seen this man work with my own two eyes so for this attribute I choose Aaron Berger. The man is quick, shifty, and a smooth criminal. Aaron “Smooth Crimnal” Berger!


Strength as in physical strength sure…how about when you see a series of photos from a particular photographer and the photos just oozes strength, toughness and intensity.  I get this feeling when I see photos from Tatsuo Suzuki.


Someone that reinvented the wheel, the genre, when at the time was critized for his work but could care less. William Eggleston to me is an innovator for the genre of street photography. He democratizes the genre, he shot in color when black and white was still predominately for street photography. He made us appreciate the mundane and taught us to aim for the high hanging fruit with our photography.

Street Photography IQ

IQ comes experience, I choose to have this particular photographer’s IQ because he was a pioneer for this art form. I truly believe you can insert this person in any era including in today’s world of street photography and he’ll still produce great photos if not better. The legend himself, Henri Cartier-Bresson.


A good smile will go a long way when you’re photographing people in public. To avoid confrontation, don’t make eye contact…or smile say thank you and move on. Matt Stuart seems friendly, harmless, and has a calmness about him.


There is a three way tie for this and will be the only tie moving forward. Three of the top street shooters today. Pau Buscato, Tavepong Pratoomwong, and Edas Wong…Sometimes I wonder how the heck did they get that shot! All three photographers make me look at their photos….then look again and again…enough said.


To not add any pressure to your street photography and to go about your day. This photographer is cool, calm, and collected,  and it shows in his work. KEEP CALM and BE JESSE MARLOW.


I’ve seen this first hand so it’s a little bias but I would say Paul Kessel. I’ve seen him get close, far, shoot from the hip, through the viewfinder, and no one ever notices him. He’s on privacy mode, incredible.


Garry Winogrand wins this hands down. The man would shoot day and night. Today he still has many undeveloped film rolls, somewhere in the thousands that are currently being worked on by  Center for Creative Photography (CCP). Winogrand was relentless and shot many rolls each day…just to shoot, photography was a drug, a good one that is.


Sorry another tie, it’s hard. So many good photographers. But these two seem to have great recognition in the street setting, right place at the right time would be another way to look at it. But it’s not just seeing a moment and making a photo out of it. It’s about seeing a moment grow or evolve into something even more spectacular. Joel Meyerowitz & Jack Simon take this. Meyerowitz images will go down as some of the best in history, in my opinion. As for Jack, I remember looking at his work, I knew nothing about him, never heard of him. He was teaching a workshop via Streetfoto and I was deciding to attend his workshop and three others. I said damn these are great photos, I want to make photos like Jack’s. And so I took Jack’s workshop based on his body of work.


Every street photographer markets themselves believe it or not. Whether that’s simply uploading photos to instagram or facebook on a daily basis. Blogging on street photography, having your own website, flickr to showcase one’s photos…however, nobody has better market themselves than Eric Kim. I personally believe he comes off as polarizing via internet because that is the best marketing. He understands that you’re either going to have people that support you and another half of people that despise you. Good or bad, either way, people are talking about you. When someone comments positive or hateful messages on your facebook content, facebook see’s the engagement on the post and thinks its relevant to keep up top on the news-feed. Love him or hate him, Eric Kim is the advocate for street photography. Many wouldn’t be shooting if it weren’t for his abundance of free online resources. He also found a way to crack google’s algorithms, well sort of.

I do believe that you should let your photos do the talking but if you have useful information that could help others, by all means SHARE your knowledge.


Hope you guys enjoyed this. This was fun and difficult. I will revisit this in a year’s time, so many emerging and established photographers today but as always I need to respect many of our street photography fore founders.

If there are any other attributes or intangibles that I should add to make the perfect street photographer please let me know!