Seeing a new place with fresh set of eyes is a plus. Every time I travel I tend to trigger the shutter more. Perhaps its because I’m out all day compared to shooting at home where I only have an allocated timeframe to shoot. Don’t think that because you travel to some foreign exotic land that you’ll come back home with awesome photos.
Workshops do help in my opinion. Learn from the best, pick their mind, and meet other enthusiastic street photographers. Get your creative juices boiling! If you’re a beginner, a workshop is a MUST! Gain confidence with a camera out in public, learn the basics. If you’re an intermediate level street photographer then perhaps you can learn how to edit down your photos, understand what separates a good photo from a great photo. All in all, it’s great to get feedback and see the pros work their magic.
Consume as Much Photo-books as Possible
If there are no workshops in your area or if workshops may be too pricey then consuming as much photo books is a great substitute. You can buy them online or at your local Barnes & Nobel…or borrow from friends. Research what type of photos you enjoy or aspire producing. Look into the great street photographers and focus on their body of works. You can watch countless Youtube video interviews or short documentaries on how they go about shooting the streets. You can self teach yourself anything these days with the power of the internet…it all depends on your own determination. Below are some great youtube videos to check out.
- Eric Kim with Jack Simon
- Mark Cohen Shooting the Streets
- Garry Winogrand Shooting the Streets
- Joel Meyerowitz Shooting the Streets
Shoot out of your comfort zone. Photograph in a location out of your comfort zone. You should not be thinking but be more relaxed when you’re out shooting. Let your imagination flow and take over.
Build a Website…and other social media outlets
Create a website, I use wordpress, it is rather simple if you spend a good day learning about it. The power and resource of the internet and youtube should make the process less painful. Build your own platform, the more outlets you have (facebook, instagram, youtube, website, flickr) the more opportunity people will find you. Since creating my own website about two years ago, I’ve been reached out to exhibit my work in Paris and present my work at a local high school. You just never know who’s looking at your work. Social media is just another way to share information but I wouldn’t use them (except youtube, since youtube is owned by google, and videos are ranked higher than anything else, blogs, photos, etc) as my main source of driving traffic. Plus, Facebook’s algorithm is fucked up. Not everyone will see your post and if your post/photo doesn’t receive 10 likes within the first half hour, then your post gets buried.
Share Your Knowledge
This goes back to creating your own platform. I think it’s best to share what you know on a topic, give your (bias) opinion, and interview other inspiring photographers to have them share their knowledge and stories.
Bring a Camera Everyone….iphone/android cameras are more than welcomed.
It’s not hard to carry your camera everywhere with you. I’ve missed some potential cool shots because I was lazy in wrapping my camera around my wrist. There were times when I would just walk across the street to the local convenient store and missed a potential shot. Don’t be lazy, you’ll regret it .
Appreciate the Process
Most people have goals with their hobby, their passion…some don’t. If you do have goals with your street photography be realistic about it. If your goal is to make one dynamic photo every time you go out and shoot, that’s very unrealistic ( I do appreciate the optimism though). Just appreciate the process and remember to not add any pressure on yourself. You are photographing the world around you as a way to get in touch with reality, disengage with the stresses, burn some calories, absorb the sun, be away from the computer, and just enjoy life. Making a great photo is the plus, really.
Shoot in the rain, sun, and on an overcast day
Don’t just shoot when it’s sunny, overcast, or during sunset. Try them all. Shoot them all! Don’t limit yourself and narrow your point of view. Of course, if you’re working on a series then you may only want consistent lighting or time of day. Perhaps, you only have time during lunch hours, so harsh afternoon light is all that you can get. If possible try everything.